my english bad.

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@@ -1551,7 +1551,7 @@ Stereo Auto Wah
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-		<div class="TText" id="notediv" style="font-size:80%;"><span class="TText"><a id="note1" href="#n1">[1]</a>: Judging by the way Roland utilized the SH-3 CPU in MC-909, which has a 16MHz external clock input and a 8x multiplier (128MHz internal clock), I would guess the CPU in SD-80 also works at 8x multiplier and therefore 96MHz internally.<br></span><span class="TText"><a id="note2" href="#n2">[2]</a>: Later the source of this DC bias is determined to be SD-80 itself, not the recording device. See the next section.<br></span><span class="TText"><a id="note3" href="#n3">[3]</a>: オールインワン・モデルSD-90でご好評いただいた、新開発MIDI音源部を搭載したマルチティンバー音源が登場。 As seen <a href="https://web.archive.org/web/20020604015208/http://www.roland.co.jp/products/dtm/SD-80.html">here</a>. I don’t actually know any Japanese and just pieced stuff together randomly. Sorry if I butchered your language.<br></span><span class="TText"><a id="note4" href="#n4">[4]</a>: Munt isn’t strictly an emulation. It doesn’t emulate the CPU or actual circuitry of the MT-32. See below.<br></span><span class="TText"><a id="note5" href="#n5">[5]</a>: without Roland losing their mind and releasing all internal documentation on the XV engine, or some absolute madlad spending 15 hours everyday on reverse engineering the thing for half a year, that is.<br></span><span class="TText"><a id="note6" href="#n6">[6]</a>: SD-80 has 32MiB of compressed wave ROM, see the “list of integrated circuit chips on SD-80 main board” in the first section. Roland’s waveform compression scheme usually results in a ~50% compression ratio. Therefore the content is roughly equal to 64 MiB of uncompressed 16-bit PCM wave.<br></span><span class="TText"><a id="note7" href="#n7">[7]</a>: The “23C128” kind of gave it away – they are the <code>μPD23C128040ALGY</code> mask ROM chips from NEC, which is the exact same type of ROM used in XV-5080. Unlike the XV-5080 though, the SD-80 makes use of both its J variant and K variant, while the XV-5080 only uses the J variant (these variants have symmetric pin configuration). <br></span><span class="TText"><a id="note8" href="#n8">[8]</a>: Well, the Raspberry Pi isn’t really suitable for this task because it doesn’t have enough GPIO pins. But there’s an easy workaround for that.<br></span><span class="TText"><a id="note9" href="#n9">[9]</a>: For readers who wonders what “mask” means in this context: you can treat a mask ROM as a huge array of tiny switches that can’t be turned on or off once manufactured. You can access the state of a group of switches by giving an address to its input pins. The mask is used as a template of the states of these switches during the manufacture process. This is electrical engineering amateur Chris trying to explain mask ROM in layman’s terms.<br></span><span class="TText"><a id="note10" href="#n10">[10]</a>: HyperCanvas (HQ-GM2) or Cakewalk TTS-1, which is a rebranding of the former; SuperQuartet (HQ-QT) and Orchestral (HQ-OR). A plugin called GrooveSynth (P5antom) bundled with several earlier Cakewalk products providing patches from the MC-303 Groovebox also uses this engine.<br></span><span class="TText"><a id="note11" href="#n11">[11]</a>: which is kind of weird considering Spectrasonics basically spun off from Roland<br></span><span class="TText"><a id="note12" href="#n12">[12]</a>: Also used in XP-80, see the errata section of its service manual.<br></span><span class="TText"><a id="note13" href="#n13">[13]</a>: HD64F7017F28, SH7017 in parts list<br></span><span class="TText"><a id="note14" href="#n14">[14]</a>: 40 of the 90 types will take up all three slots, most likely due to the reduced DSP power.<br></span><span class="TText"><a id="note15" href="#n15">[15]</a>: Support for multisamples also exist in Fantom S/S88, so this is more likely due to an updated system software rather than changes of the synth engine.<br></span><span class="TText"><a id="note16" href="#n16">[16]</a>: There are evidence that some of them are handled by software (SD-80 having one more LFO per part than the XV-5080). However it can also be using LFO blocks in the XV chip that is unused in the XV-5080.<br></span><span class="TText"><a id="note17" href="#n17">[17]</a>: This mapping is used for DT1/RQ1 system exclusive messages.<br></span><span class="TText"><a id="note18" href="#n18">[18]</a>: The first half is also true for earlier SC models (SC-55 &lt;-&gt; JV-880, SC-88 &lt;-&gt; JV-1080, SC-88Pro &lt;-&gt; JV-2080, SC-8850 &lt;-&gt; XV-3080). However the second half isn’t. Earlier SC models employs a GS-specific address map which looks nothing like their counterparts.<br></span><span class="TText"><a id="note19" href="#n19">[19]</a>: And also the last time, since neither the SD-20 nor the SD-50 has such editability.<br></span><span class="TText"><a id="note20" href="#n20">[20]</a>: Apparently it’s from the SC-8850.<br></span><span class="TText"><a id="note21" href="#n21">[21]</a>: The multisample from Roland Cloud seem to have an extra sample in the highest register, which sounds like it’s processed with a low-pass filter with very low cut off frequency and makes it sound like garbage. This is also the case for the version included in the original SRX-09 boards.<br></span><span class="TText"><a id="note22" href="#n22">[22]</a>: The owner’s manual of the SD-80 contains blatant lies. It says “It is not possible for the edited sounds to be saved in the internal memory of the SD-80” (which is directly copied from SD-90’s manual), and goes on to teach you how to save a user patch.<br></span><span class="TText"><a id="note23" href="#n23">[23]</a>: For example, nearly all acoustic bass patches have a disabled tone with wave number 249 “TenBlwSaxVib” selected, and the Fiddle 2 vib patch have a disabled tone with wave number 276 “Blow Pipe” selected.<br></span><span class="TText"><a id="note24" href="#n24">[24]</a>: Wave #249 in XV-5080 is UprightBs 2A, and Wave #276 in SRX-09 is Fdl Pizz 1C (Fiddle Pizzicato).<br></span></div>
+		<div class="TText" id="notediv" style="font-size:80%;"><span class="TText"><a id="note1" href="#n1">[1]</a>: Judging by the way Roland utilized the SH-3 CPU in MC-909, which has a 16MHz external clock input and a 8x multiplier (128MHz internal clock), I would guess the CPU in SD-80 also works at 8x multiplier and therefore 96MHz internally.<br></span><span class="TText"><a id="note2" href="#n2">[2]</a>: Later the source of this DC bias is determined to be SD-80 itself, not the recording device. See the next section.<br></span><span class="TText"><a id="note3" href="#n3">[3]</a>: オールインワン・モデルSD-90でご好評いただいた、新開発MIDI音源部を搭載したマルチティンバー音源が登場。 As seen <a href="https://web.archive.org/web/20020604015208/http://www.roland.co.jp/products/dtm/SD-80.html">here</a>. I don’t actually know any Japanese and just pieced stuff together randomly. Sorry if I butchered your language.<br></span><span class="TText"><a id="note4" href="#n4">[4]</a>: Munt isn’t strictly an emulation. It doesn’t emulate the CPU or actual circuitry of the MT-32. See below.<br></span><span class="TText"><a id="note5" href="#n5">[5]</a>: without Roland losing their mind and releasing all internal documentation on the XV engine, or some absolute madlad spending 15 hours everyday on reverse engineering the thing for half a year, that is.<br></span><span class="TText"><a id="note6" href="#n6">[6]</a>: SD-80 has 32MiB of compressed wave ROM, see the “list of integrated circuit chips on SD-80 main board” in the first section. Roland’s waveform compression scheme usually results in a ~50% compression ratio. Therefore the content is roughly equal to 64 MiB of uncompressed 16-bit PCM wave.<br></span><span class="TText"><a id="note7" href="#n7">[7]</a>: The “23C128” kind of gave it away – they are the <code>μPD23C128040ALGY</code> mask ROM chips from NEC, which is the exact same type of ROM used in XV-5080. Unlike the XV-5080 though, the SD-80 makes use of both its J variant and K variant, while the XV-5080 only uses the J variant (these variants have symmetric pin configuration). <br></span><span class="TText"><a id="note8" href="#n8">[8]</a>: Well, the Raspberry Pi isn’t really suitable for this task because it doesn’t have enough GPIO pins. But there’s an easy workaround for that.<br></span><span class="TText"><a id="note9" href="#n9">[9]</a>: For readers who wonders what “mask” means in this context: you can treat a mask ROM as a huge array of tiny switches that can’t be turned on or off once manufactured. You can access the state of a group of switches by giving an address to its input pins. The mask is used as a template of the states of these switches during the manufacture process. This is electrical engineering amateur Chris trying to explain mask ROM in layman’s terms.<br></span><span class="TText"><a id="note10" href="#n10">[10]</a>: HyperCanvas (HQ-GM2) or Cakewalk TTS-1, which is a rebranding of the former; SuperQuartet (HQ-QT) and Orchestral (HQ-OR). A plugin called GrooveSynth (P5antom) bundled with several earlier Cakewalk products providing patches from the MC-303 Groovebox also uses this engine.<br></span><span class="TText"><a id="note11" href="#n11">[11]</a>: which is kind of weird considering Spectrasonics basically spun off from Roland<br></span><span class="TText"><a id="note12" href="#n12">[12]</a>: Also used in XP-80, see the errata section of its service manual.<br></span><span class="TText"><a id="note13" href="#n13">[13]</a>: HD64F7017F28, SH7017 in parts list<br></span><span class="TText"><a id="note14" href="#n14">[14]</a>: 40 of the 90 types will take up all three slots, most likely due to the reduced DSP power.<br></span><span class="TText"><a id="note15" href="#n15">[15]</a>: Support for multisamples also exist in Fantom S/S88, so this is more likely due to an updated system software rather than changes of the synth engine.<br></span><span class="TText"><a id="note16" href="#n16">[16]</a>: There is evidence that some of them are handled by software (SD-80 having one more LFO per part than the XV-5080). However it can also be using LFO blocks in the XV chip that is unused in the XV-5080.<br></span><span class="TText"><a id="note17" href="#n17">[17]</a>: This mapping is used for DT1/RQ1 system exclusive messages.<br></span><span class="TText"><a id="note18" href="#n18">[18]</a>: The first half is also true for earlier SC models (SC-55 &lt;-&gt; JV-880, SC-88 &lt;-&gt; JV-1080, SC-88Pro &lt;-&gt; JV-2080, SC-8850 &lt;-&gt; XV-3080). However the second half isn’t. Earlier SC models employs a GS-specific address map which looks nothing like their counterparts.<br></span><span class="TText"><a id="note19" href="#n19">[19]</a>: And also the last time, since neither the SD-20 nor the SD-50 has such editability.<br></span><span class="TText"><a id="note20" href="#n20">[20]</a>: Apparently it’s from the SC-8850.<br></span><span class="TText"><a id="note21" href="#n21">[21]</a>: The multisample from Roland Cloud seem to have an extra sample in the highest register, which sounds like it’s processed with a low-pass filter with very low cut off frequency and makes it sound like garbage. This is also the case for the version included in the original SRX-09 boards.<br></span><span class="TText"><a id="note22" href="#n22">[22]</a>: The owner’s manual of the SD-80 contains blatant lies. It says “It is not possible for the edited sounds to be saved in the internal memory of the SD-80” (which is directly copied from SD-90’s manual), and goes on to teach you how to save a user patch.<br></span><span class="TText"><a id="note23" href="#n23">[23]</a>: For example, nearly all acoustic bass patches have a disabled tone with wave number 249 “TenBlwSaxVib” selected, and the Fiddle 2 vib patch have a disabled tone with wave number 276 “Blow Pipe” selected.<br></span><span class="TText"><a id="note24" href="#n24">[24]</a>: Wave #249 in XV-5080 is UprightBs 2A, and Wave #276 in SRX-09 is Fdl Pizz 1C (Fiddle Pizzicato).<br></span></div>
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